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Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose Indonesian orchestral sound incorporating chimes, bells, and gongs.

The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.

Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production. Like Howard, Rydstrom employed different sounds for the two cultures.

Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery.

The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed.

When the recording was sped up on his computer he felt it sounded very organic, and that is what is heard within the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, and the sound of sub-pods moving through water with a water pick.

Atlantis was promoted at Disneyland with models of the characters Kida and Milo displayed on Main Street. Atlantis was among Disney's first major attempts to utilize internet marketing.

The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game giveaway for UPC labels from specially marked packages of Atlantis breakfast cereal.

The film was one of Disney's first marketing attempts through mobile network operators and allowed users to download games based on the film.

McDonald's which had an exclusive licensing agreement on all Disney releases promoted the film with Happy Meal toys, food packaging, and in-store decor.

The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.

Frito-Lay offered free admission tickets for the film on specially marked snack packages. Before the film's release, reporters speculated that it would have a difficult run due to competition from DreamWorks' Shrek a wholly CGI feature and Lara Croft: Tomb Raider an action-adventure film from Paramount Pictures.

Regarding the market's shift from traditional animation and competition with CGI films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge.

I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting.

But maybe I'm blind to it. At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions.

The Aquarium of the Pacific also loaned a variety of fish for display within the attraction. Responding to its disappointing box-office performance, Thomas Schumacher , then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed.

The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2. Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prolog scene.

The collector's edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.

Atlantis: The Lost Empire received mixed reviews from film critics. While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and its attempt to appeal to an older audience.

Roger Ebert gave Atlantis three-and-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola.

Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest and stands by itself as one of the great animated action sequences.

He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division.

Other critics felt that the film was mediocre in regards to its story and characters and that it failed to deliver as a non-musical to Disney's traditional audience.

It has also been criticized by some viewers of the film bearing a resemblance to a famous s Japanese anime television show, Nadia: The Secret of Blue Water.

The similarities include character designs, story flow, the background settings, and more. The director Kirk Wise has stated he never even heard of such a show when Atlantis was in production.

Critics also saw parallels with the film Stargate. Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 which coincidentally launched its own spinoff, titled Stargate Atlantis.

The film has also drawn criticism for its supposed "white savior" narrative a storytelling device in which a white hero saves an indigenous society from danger.

Atlantis is notable as one of the few animated films shot in the anamorphic widescreen process. To prevent having to purchase and implement larger animation desks, longer animation paper, and so forth, the production team resorted to working within a smaller frame on the same paper and equipment used for the standard aspect ratio Disney films.

Some viewers have noted similarities between the Milo character and motion picture language consultant Dr.

Marc Okrand , who developed the Atlantean language for this movie Okrand has said that animator John Pomeroy sketched him, claiming not to know what a linguist looked or behaved like.

Additionally, an interesting aspect of the film is that very few of the characters are under the age of 30, a rare component for a Disney animated feature.

Also, Atlantis is the first animated Disney feature since to have a black character, Dr. Joshua Sweet, in the roster of main characters.

On a side note, Atlantis was one of the last Disney films to include a smoking character, Packard, who consistently puffed a cigarette, only had a minor role.

The film was originally supposed to provide a springboard for an animated television series titled Team Atlantis , which would have detailed the further adventures of the characters from the film.

However, because of its disappointing box office intake, the series was scrapped. On May 20, , Disney released a direct-to-video sequel called Atlantis: Milo's Return , which consisted mostly of stories originally produced for the aborted series.

In addition, several video games were released for various consoles of the time, most notably the PC game Atlantis: Trial by Fire.

There were two main "campaigns" the game; Search For The Journal, which events surrounded the expedition to Iceland in order to find the journal. This segment of the game places the player as one of Rourke's mercenaries or as the game simply states "Storm Troopers" and must fight their way through various obstacles and enemies, which are called "The Keepers".

The player remains in constant radio contact throughout the game, along with the voices of most of the actors in the movie.

The "reward" for finding the Journal is a trailer of the movie, also, the player can pilot the Whitmore Wing, as seen in the movie, the aircraft Rourke's mercenaries would use in their attempts to fight off Milo's attack.

The second "campaign" of the game Trial by Fire , takes place during the events of the movie, and the player takes on the role of Milo Thatch.

The game follows the movie very closely, and the player goes from finding Atlantis to defending it. Atlantis: Trial by Fire also had a multiplayer component, which featured modes like deathmatch, CTF, and air battles.

It also included a minute documentary on how the movie was made. Jim Varney who played Cookie died during production, and several lines near the end of the film had to be filled in by a soundalike.

In a interview, Kirk Wise revealed that a sequel was being planned out at one point. It would have introduced a new villain who was described as "wearing big, scary, wool, bulky, World War I-style clothing with a frightening gas mask" and would have lead an army of mercenaries to take back Atlantis to finish Lyle Rourke's work.

The twist would have been that this new villain was actually Helga Sinclair who survived her fall at the end of the first film and be brought back as a "earlyth-century cyborg".

Vinnie's last name, "Santorini," is also the current name of an ancient chain of volcanic islands in the Mediterranean that erupted with many times the force of Mount Vesuvius and predated it by many centuries , devastated the Minoan civilization, and may have been an origin of the Atlantean legend.

This might also explain Vinnie's profound obsession with explosives, although in the film Vinny's obsession came when there was an explosion in his family's flower shop.

Also, the weaponry is the correct time period , as it says in the beginning of the film such as: The Lee Enfield, the Lewis Gun, the Broomhandle Mauser, and a variant of the Luger.

There are various models of Browning. To prepare for the production, the filmmakers visited museums and toured old army installations. They also traveled feet underground in New Mexico's Carlsbad Caverns to observe the subterranean trails that would serve as the model for the approach to Atlantis in the film.

When it came to creating the look of the city of Atlantis, the filmmakers wanted to avoid the common conception of "Greek columns under the sea somewhere," says art director Dave Goetz.

Instead, they modeled their Atlantis on the architecture of ancient civilizations in China, South America, and the Middle East. Fandom may earn an affiliate commission on sales made from links on this page.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. Retrieved on September 2, June 1, Archived from the original on June 15, Retrieved on September 22, Retrieved on September 1, Retrieved on July 6, Walt Disney Studios Home Entertainment.

Archived from the original on June 24, Retrieved on August 8, Retrieved on August 29, DVD Verdict.

Archived from the original on July 26, Retrieved on March 29, Retrieved on July 16, Retrieved on July 3, The Trades. Retrieved on September 21, Retrieved on August 13, Retrieved on July 4, Atlantis: The Lost Empire.

Archived from the original on May 27, Milo finally makes it on board, and fights Rourke. Down below, Helga takes her last breaths and fires a round into the balloon, helping Milo to win.

Milo, finding a shard of glass powered by the crystal, jabs it into Rourke, crystallizing him, and killing him. The battle has caused the volcano to start to erupt, the lava threatening to destroy Atlantis.

Milo returns Kida to the center of the city where she is taken once again by the Heart; her life force is used to activate giant stone guardians at the city's edge that form a protective barrier from the lava.

After the city is saved, Kida is returned to Milo's arms from the Heart, no longer infused with its power. The rest of the surface team prepares to return with vehicles full of treasure as thanks from the city, but Milo decides to stay behind, smitten in love for Kida and determined to help preserve Atlantis to its former glory, and passes a note using his picture of him and his grandfather to be given to Whitmore, with a blue life crystal as evidence he found the city and his thanks for the opportunity.

Whitmore is enlightened by this, and the rest of the team, after returning to the surface, concoct a tale for the public with Whitmore's cooperation that they never found Atlantis, despite their newfound wealth, and that Milo, Rourke and Helga went missing in action.

The film ends with Milo and Kida creating a memorial for the dead King while going forward to help restore Atlantis back to its former glory.

Jebidiah Allardyce "Cookie" Farnsworth. Toggle navigation Toons Empire. Sign in with Facebook. Email address:. Password recovery.

Your working email address:. Choose a password:. Prove your identity:. Popular Pictures. Tags: Atlantis: the lost empire. Tags: Atlantis: the lost empire , Audrey Ramirez.

Tags: Atlantis: the lost empire , Helga Sinclair. Tags: Atlantis: the lost empire , Gaetan Moliere. Popular Characters: Helga Sinclair Tagged on 4 items.

Tagged on 3 items. Tagged on 2 items. Tagged on 1 items. Didn't tagged yet. Helga Sinclair Tagged on 4 items. In a battle inside the volcano, Helga and the other mercenaries are defeated, including Rourke, killed when Milo slashes his arm with a crystal shard.

As Milo and the others fly the crystal back to the city, the volcano erupts. With lava flowing towards the city, Kida in her crystal form rises into the air and creates a protective shield.

The lava breaks away harmlessly, showing a restored Atlantis, and the crystal returns Kida to Milo. The surviving crew members return to the surface and promise to keep the discovery of Atlantis a secret.

Milo, in love with Kida, stays behind to help her rebuild the lost empire. Having recently completed The Hunchback of Notre Dame [20] the producer and directors wanted to keep the Hunchback crew together for another film with an Adventureland setting.

The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.

Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas.

Marc Okrand , who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire.

Guided by the directors' initial concept for it to be a " mother-language ", Okrand employed an Indo-European word stock with its own grammatical structure.

He would change the words if they began to sound too much like an actual, spoken language. The Atlantean [A] is a shape developed by John Emerson.

It is a miniature map of the city of Atlantis i. It's a treasure map. Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects.

According to him, he "had not a shred" in the movie. When the first two acts were timed at minutes, the directors cut characters and sequences and focused more on Milo.

Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.

This gave the film a faster pace because Atlantis is discovered earlier in the story. The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate.

The directors later related him to an explorer so he would discover his inner talent for exploration. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories.

An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing.

Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan.

Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans.

Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford.

Trousdale went home and completed the storyboards later that evening. The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.

The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format 2.

The film's visual style was strongly based upon that of Mike Mignola , the comic book artist behind Hellboy.

Mignola was one of four production designers along with Matt Codd, Jim Martin, and Ricardo Delgado hired by the Disney studio for the film.

Accordingly, he provided style guides, preliminary character and background designs, and story ideas. I remember watching a rough cut of the film and these characters have these big, square, weird hands.

I said to the guy next to me, "Those are cool hands. We had a whole meeting about how to do your hands.

The final pull-out scene of the movie, immediately before the end-title card, was described by the directors as the most difficult scene in the history of Disney animation.

They said that the pullout attempt on their prior film, The Hunchback of Notre Dame , "struggled" and "lacked depth"; however, after making advances in the process of multiplaning , they tried the technique again in Atlantis.

The scene begins with one inch Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.

At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery CGI than any other Disney traditionally animated feature.

To increase productivity, the directors had the digital artists work with the traditional animators throughout the production.

Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.

As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.

With the ability to operate in the z-plane, this camera moved through a digital wire-frame set ; the background and details were later hand-drawn over the wire frames.

This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.

Since the film would not feature any songs, the directors hired James Newton Howard to compose the score. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis.

In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.

Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery.

The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed.

When the recording was sped up on his computer he felt it sounded very organic, and that is what is heard within the film.

Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, and the sound of sub-pods moving through water with a water pick.

Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's , which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.

The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.

Before the film's release, reporters speculated that it would have a difficult run due to competition from DreamWorks ' Shrek a wholly CGI feature and Lara Croft: Tomb Raider an action-adventure film from Paramount Pictures.

Regarding the market's shift from traditional animation and competition with CGI films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge.

I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it.

The Aquarium of the Pacific also loaned a variety of fish for display within the attraction. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.

Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.

The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.

While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and its attempt to appeal to an older audience.

Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola.

Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences.

He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division.

Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience.

Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".

Damn the imperialists! Wells and Jules Verne. When the film was released, some viewers noticed that Atlantis: The Lost Empire bore a number of similarities to the — Japanese anime television program Nadia: The Secret of Blue Water , particularly in its character design, setting, and story.

According to Gainax member Yasuhiro Takeda , they only refrained from doing so because the decision belonged to parent companies NHK and Toho.

Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May , "Never heard of Nadia till it was mentioned in this [newsgroup].

Long after we'd finished production, I might add. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia' s.

Atlantis directors Trousdale and Kirk both admittedly acknowledged Miyazaki's works as a major influence on their own work.

Atlantis: the Lost Empire was meant to provide a springboard for an animated television series entitled Team Atlantis , which would have presented the further adventures of its characters.

However, because of the film's under-performance at the box office, the series was not produced. On May 20, , Disney released a direct-to-video sequel called Atlantis: Milo's Return , consisting of three episodes planned for the aborted series.

It was also available in a limited edition of 20, numbered copies with a unique 3D album cover insert depicting the Leviathan from the film. A rare promotional edition featuring 73 minutes of material, compared to the 53 minutes on standard commercial editions was intended only for Academy of Motion Picture Arts and Sciences voters but was bootlegged and distributed with fan-created artwork.

Concerning the promotional edition, Filmtracks said, "Outside of about five minutes of superior additional material including the massive opening, "Atlantis Destroyed" , the complete presentation is mostly redundant.

Still, Atlantis is an accomplished work for its genre. There are several video games based on the film. It was released on May 1, , for the Microsoft Windows platform and was a first-person shooter game, the first of two games based on the film developed by Zombie Studios and released for UPC labels from Kellogg's products for promotion.

Some features in the game unlock others such as a movie by finding items hidden throughout the game. It is a platform game in which the player controls Milo and three other characters from the film across 14 levels on a quest to discover Atlantis.

From Wikipedia, the free encyclopedia. Not to be confused with Atlantis, the Lost Continent. Theatrical release poster. Gary Trousdale Kirk Wise.

Michael J. Release date. Running time. Main article: Atlantean language. The directors often described the Atlanteans using Egypt as an example.

When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant.

Main article: Atlantis: The Lost Empire soundtrack. Box Office Mojo. Nash Information Services. Archived from the original on December 20, Retrieved January 6,

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Archived from the original on July 23, In , Dr. Daniel Jackson decoded an ancient language and unlocked the secrets of the Stargate, sending him and a military unit across the universe to a lost colony of humans.

And in , he did it again — decoding the ancient Atlantean language to launch a quest to find the lost continent of Atlantis.

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Lavery, David; Burkhead, Cynthia, eds. Joss Whedon: Conversations. Montalbano, Dave Patten, Fred The Nadia Versus Atlantis Affair".

Pinsky, Mark I. Plato [c. Robert Gregg Bury, trans. Raugust, Karen Atlantis was among Disney's first major attempts to utilize internet marketing.

The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game giveaway for UPC labels from specially marked packages of Atlantis breakfast cereal.

The film was one of Disney's first marketing attempts through mobile network operators and allowed users to download games based on the film. McDonald's which had an exclusive licensing agreement on all Disney releases promoted the film with Happy Meal toys, food packaging, and in-store decor.

The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date. Frito-Lay offered free admission tickets for the film on specially marked snack packages.

Before the film's release, reporters speculated that it would have a difficult run due to competition from DreamWorks' Shrek a wholly CGI feature and Lara Croft: Tomb Raider an action-adventure film from Paramount Pictures.

Regarding the market's shift from traditional animation and competition with CGI films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge.

I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting.

But maybe I'm blind to it. At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions.

The Aquarium of the Pacific also loaned a variety of fish for display within the attraction. Responding to its disappointing box-office performance, Thomas Schumacher , then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed.

The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2. Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prolog scene.

The collector's edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.

Atlantis: The Lost Empire received mixed reviews from film critics. While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and its attempt to appeal to an older audience.

Roger Ebert gave Atlantis three-and-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola.

Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest and stands by itself as one of the great animated action sequences.

He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division.

Other critics felt that the film was mediocre in regards to its story and characters and that it failed to deliver as a non-musical to Disney's traditional audience.

It has also been criticized by some viewers of the film bearing a resemblance to a famous s Japanese anime television show, Nadia: The Secret of Blue Water.

The similarities include character designs, story flow, the background settings, and more. The director Kirk Wise has stated he never even heard of such a show when Atlantis was in production.

Critics also saw parallels with the film Stargate. Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 which coincidentally launched its own spinoff, titled Stargate Atlantis.

The film has also drawn criticism for its supposed "white savior" narrative a storytelling device in which a white hero saves an indigenous society from danger.

Atlantis is notable as one of the few animated films shot in the anamorphic widescreen process. To prevent having to purchase and implement larger animation desks, longer animation paper, and so forth, the production team resorted to working within a smaller frame on the same paper and equipment used for the standard aspect ratio Disney films.

Some viewers have noted similarities between the Milo character and motion picture language consultant Dr. Marc Okrand , who developed the Atlantean language for this movie Okrand has said that animator John Pomeroy sketched him, claiming not to know what a linguist looked or behaved like.

Additionally, an interesting aspect of the film is that very few of the characters are under the age of 30, a rare component for a Disney animated feature.

Also, Atlantis is the first animated Disney feature since to have a black character, Dr. Joshua Sweet, in the roster of main characters. On a side note, Atlantis was one of the last Disney films to include a smoking character, Packard, who consistently puffed a cigarette, only had a minor role.

The film was originally supposed to provide a springboard for an animated television series titled Team Atlantis , which would have detailed the further adventures of the characters from the film.

However, because of its disappointing box office intake, the series was scrapped. On May 20, , Disney released a direct-to-video sequel called Atlantis: Milo's Return , which consisted mostly of stories originally produced for the aborted series.

In addition, several video games were released for various consoles of the time, most notably the PC game Atlantis: Trial by Fire. There were two main "campaigns" the game; Search For The Journal, which events surrounded the expedition to Iceland in order to find the journal.

This segment of the game places the player as one of Rourke's mercenaries or as the game simply states "Storm Troopers" and must fight their way through various obstacles and enemies, which are called "The Keepers".

The player remains in constant radio contact throughout the game, along with the voices of most of the actors in the movie.

The "reward" for finding the Journal is a trailer of the movie, also, the player can pilot the Whitmore Wing, as seen in the movie, the aircraft Rourke's mercenaries would use in their attempts to fight off Milo's attack.

The second "campaign" of the game Trial by Fire , takes place during the events of the movie, and the player takes on the role of Milo Thatch.

The game follows the movie very closely, and the player goes from finding Atlantis to defending it. Atlantis: Trial by Fire also had a multiplayer component, which featured modes like deathmatch, CTF, and air battles.

It also included a minute documentary on how the movie was made. Jim Varney who played Cookie died during production, and several lines near the end of the film had to be filled in by a soundalike.

In a interview, Kirk Wise revealed that a sequel was being planned out at one point. It would have introduced a new villain who was described as "wearing big, scary, wool, bulky, World War I-style clothing with a frightening gas mask" and would have lead an army of mercenaries to take back Atlantis to finish Lyle Rourke's work.

The twist would have been that this new villain was actually Helga Sinclair who survived her fall at the end of the first film and be brought back as a "earlyth-century cyborg".

Vinnie's last name, "Santorini," is also the current name of an ancient chain of volcanic islands in the Mediterranean that erupted with many times the force of Mount Vesuvius and predated it by many centuries , devastated the Minoan civilization, and may have been an origin of the Atlantean legend.

This might also explain Vinnie's profound obsession with explosives, although in the film Vinny's obsession came when there was an explosion in his family's flower shop.

Also, the weaponry is the correct time period , as it says in the beginning of the film such as: The Lee Enfield, the Lewis Gun, the Broomhandle Mauser, and a variant of the Luger.

There are various models of Browning. To prepare for the production, the filmmakers visited museums and toured old army installations.

They also traveled feet underground in New Mexico's Carlsbad Caverns to observe the subterranean trails that would serve as the model for the approach to Atlantis in the film.

When it came to creating the look of the city of Atlantis, the filmmakers wanted to avoid the common conception of "Greek columns under the sea somewhere," says art director Dave Goetz.

Instead, they modeled their Atlantis on the architecture of ancient civilizations in China, South America, and the Middle East.

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Contents [ show ]. Retrieved on September 2, June 1, Archived from the original on June 15, Retrieved on September 22, Retrieved on September 1, Retrieved on July 6, Walt Disney Studios Home Entertainment.

Archived from the original on June 24, Retrieved on August 8, Retrieved on August 29, DVD Verdict. Archived from the original on July 26, Retrieved on March 29, Retrieved on July 16, Retrieved on July 3, The Trades.

Retrieved on September 21, Retrieved on August 13, Retrieved on July 4, Atlantis: The Lost Empire. Archived from the original on May 27, Retrieved on June 26, What was wrong with the old ones they made for kids?

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Try Now. The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization.

They were surrounded by artifacts of their former greatness but somehow unaware of what they meant.

Whitmore, who reveals he was a friend of Milo's grandfather, Thaddeus Thatch, who had originally located the Journal. Whitmore requests that Milo become part of a team to search for Atlantis as their linguist expert, which Milo eagerly agrees to.

Milo is introduced to the specialists on the team, led by Commander Lyle Rourke and his second-in-command Helga Sinclair.

Joshua Sweet, teenage tomboy mechanic Audrey Ramirez, redneck cook Jebidiah Allerdyce "Cookie" Farnsworth, and elderly cynical communications expert Wilhelmina Packard.

The team initially teases and plays tricks on Milo but slowly warm up to him over the adventure. The expedition quickly meets a fateful start when a robotic Leviathan destroys the main submarine, and most of the ship's crew are killed during the evacuation, but Milo's team are able to find the underwater cavern described by the Journal that leads to Atlantis, and proceed with the exploration, unaware they are being watched.

After misadventures with the local fauna and discovering the caves are resting on a dormant volcano, they find themselves at the outskirts of Atlantis.

Kida, one of the Atlantians that had been tracking the group, invites the team to see her father, King Kashekim Nedakh. However, the King demands that the team leave immediately, but acquiesces when Commander Rourke asks to stay the night to recover and refresh supplies.

While the others relax, Rourke orders his soldiers to arm themselves. Kida discovers that Milo can read and speak the Atlantean language, something that her people have long forgotten, and enlists his help to transcript ancient murals that can be used to save the city.

Diving near some of the city's ruins, Milo and Kida learn that the city is protected by the Heart of Atlantis, and that the strange blue gems that each Atlantian wears are connected to it.

Kida recalls when her mother was taken away from her by the Heart in order to save the city from a mega-tsunami.

As they leave the ruins, they are caught by Rourke and the rest of the team, who have turned mercenary and are after the Heart.

The armed men take Milo and Kida by force to the King. Rourke mortally wounds the King when he refuses to reveal the location of the Heart, but manages to deduce the location anyway from the clues in the Journal.

Rourke, Helga, Milo, and Kida travel to chamber below the King's quarters, finding the Heart to be a large blue crystal hanging in mid-air.

Kida is drawn to the crystal and is infused with its power; as she is walking towards the crystal, she tells Milo in Atlantian that he should not worry.

Still under gunpoint, Rourke forces Kida into a metal chamber they will use to return to her to the surface, using her power for financial gain; however, without the Heart, the city and its residents will soon die.

The other team members quickly recognize Rourke's motive was not part of the mission and stand behind Milo in demanding him to release Kida.

Rourke refuses, leaving the others stranded while he and his men leave the city. Before going in pursuit of Rourke, Milo sees the king for the last time.

Sweet informs Milo that the king has internal bleeding caused by Rourke's attack. The king pleads to Milo for the return of his daughter and the survival of Atlantis.

The king also adds that the Heart would choose a host of royal blood, like Kida and her mother before her, to protect itself and its people. It thrives on the collective emotions of previous hosts, in return the Crystal would grant them power, protection, and longevity.

Through the years and ages that passed the Crystal began to develop a mind of its own. He attempted to use the Crystal as a weapon of war, but its power was too great to control, which lead to their destruction, so he hid the crystal beneath the city so that history wouldn't repeat itself.

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